Play Along Piano

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SDG

24. Gib dich zufrieden und sei stille. Schemelli/Bach, inner voices: Gertim. BWV 460.

SDG

1:23	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor/Bass		18	0	5	5	100%
Soprano/Alto		16	0	3	5	96%
Contrabass		13	0	3	5	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor/Bass		18	0	5	5	100%
Soprano/Alto		16	0	3	5	96%
Contrabass		13	0	3	5	50%

162. O Haupt voll Blut und Wunden, J.S. Bach, BWV 244.63. Herzlich thut mich verlangen. O sacred head now wounded.

SDG

1:00	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	2	4	100%
T B		22	0	6	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	2	4	100%
T B		22	0	6	5	100%

191. Jesu, Jesu, du bist mein. Schemelli (No. 34), J.S. Bach, BWV 357.

SDG

1:02	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		16	0	3	6	100%
T B		19	0	5	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		16	0	3	6	100%
T B		19	0	5	6	100%

48. Liebster Herr Jesu, wo bleibst du so lange. Schemelli, J.S. Bach, BWV 484.

SDG

1:19	Est. Play Time
27	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		12	0	3	4	100%
T A		21	0	6	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		12	0	3	4	100%
T A		21	0	6	4	100%

Once again, o blessed time, Christmas song/hymn, John Bacchus Dykes.

SDG

1:21	Est. Play Time
25	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	3	4	100%
Tenor/Bass		19	0	5	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	3	4	100%
Tenor/Bass		19	0	5	4	100%

286. O Mensch, bewein' dein Sünde gross. BWV 402. Johann Sebastian Bach.

SDG

1:22	Est. Play Time
20	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		24	0	8	4	100%
Contrabass		19	0	7	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		24	0	8	4	100%
Contrabass		19	0	7	3	50%

10. Der Tag mit seinem Lichte, Schemelli, Bach, BWV 448.

SDG

1:21	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	6	5	100%
Tenor/Bass		22	1	7	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	6	5	100%
Tenor/Bass		22	1	7	5	100%

135. O, Lam van God, als kind kwam Gij op aarde (oude melodie)

SDG

1:00	Est. Play Time
21	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Bas		19	0	5	4	100%
Piano, Alt		13	0	3	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Bas		19	0	5	4	100%
Piano, Alt		13	0	3	4	100%

93. Es steh'n vor Gottes Throne, BWV 309

SDG

1:18	Est. Play Time
15	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	4	5	100%
Tenor/Bass		19	0	5	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	4	5	100%
Tenor/Bass		19	0	5	6	100%

Libera me, Domine, de morte aeterna. Gabriel Fauré.

SDG

1:09	Est. Play Time
35	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	26	7	3	100%
		16	7	3	1	100%
Baryton		9	0	1	6	91%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	26	7	3	100%
		16	7	3	1	100%
Baryton		9	0	1	6	91%

Libera me, Domine. Sung by me, Gertim (SDG). Requiem Mozart.

SDG

1:09	Est. Play Time
35	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	26	7	3	100%
		16	7	3	1	100%
Baryton		9	0	1	6	91%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	26	7	3	100%
		16	7	3	1	100%
Baryton		9	0	1	6	91%

43. Christ, unser Herr, zum Jordan kam. BWV 280. Johann Sebastian Bach.

SDG

1:03	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	2	4	100%
Tenor/Bass		22	0	6	3	100%
Contrabass		16	0	3	2	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	2	4	100%
Tenor/Bass		22	0	6	3	100%
Contrabass		16	0	3	2	50%

100. Nee, niet lang meer, zaal'ge woorden (oude melodie)

SDG

1:09	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		18	0	6	4	100%
T B		17	0	3	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		18	0	6	4	100%
T B		17	0	3	4	100%

16. Allein zu dir, Herr Jesu Christ. BWV 33.6.

SDG

1:14	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		23	0	6	6	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		23	0	6	6	100%
Contrabass		19	0	5	4	52%
Bass		4	0	0	2	20%
Tenor		4	0	0	2	16%

134. Hier beneên is 't niet te vinden (oude melodie)

SDG

1:12	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Bas		17	0	3	4	100%
Piano, Alt		18	0	6	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Bas		17	0	3	4	100%
Piano, Alt		18	0	6	4	100%

158. O, Lam van God, wie kan verkonden (oude melodie)

SDG

1:02	Est. Play Time
21	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	4	3	100%
T B		20	0	6	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	4	3	100%
T B		20	0	6	3	100%

44. Christ, unser Herr, zum Jordan kam. BWV 7.7. Johann Sebastian Bach.

SDG

1:03	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	3	3	100%
Tenor/Bass		21	0	5	3	100%
Contrabass		13	0	2	2	53%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	3	3	100%
Tenor/Bass		21	0	5	3	100%
Contrabass		13	0	2	2	53%

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